Prism Sound Titan Ultimate Collection Multichannel Audio Interface with UC Software
Titan and Atlas are world classmulti-track interfaces offering flexible expansion and unsurpassable sonicclarity. Using the latest generation of Prism Sounds trusted conversion, Titanis ideal for music and sound recording, multi-tracking, overdubbing, stem-basedmastering, analogue summing and critical listening applications.
Software included: Tracktion’sWaveform Pro, F.’em, Biotek 2, Waverazor, Abyss, Hyperion, Spacecraft, RetroModComplete Collection, DAW Essentials Collection, and SADiE 6 Software.
F.’EM
11-Operator FM Synthesizer
F.’em is one of the most powerfulFM Synthesizers ever made, taking advantage of modern CPU resources to processits freely configurable 11 operator matrix. It’s a hybrid quad-timbralsynthesizer that can function as an FM, VA and Sample-based instrument, withthe added bonus of a dual multimode filter, a complex effect section and anincredibly flexible modulation matrix.
BIOTEK 2
A powerhouse sampling andsynthesis workstation
BioTek 2 offers boundless sounddesign in a unique and inspirational environment. Not only is its engine morecapable than existing offerings, but the choice to use natural andenvironmental samples gives the instrument its unique character. Extensivemodulation and modifier routes are intuitively assigned and all parameters areavailable for DAW automation. Dive into the weird and wonderful immersive worldof BioTek.
WAVERAZOR
Futuristic Virtual Synth
A futuristic synth that gives youthe power to splice waveforms into aggressive new sounds. The patentedoscillator design utilizes a new form of synthesis to produce biting leads,glitched-out basses, cinematic pads and everything in between.
ABYSS
A visual synthesiser withcharacter and a bit of fairy dust
Based on spectral synthesis, Abyssadopts a unique approach by representing sounds with colours making itintuitive and instantly inspiring. It brings to you dark, vibrating drones,vivid cinematic pads and rich evolving textures. With Abyss you find instantinspiration for your music and sound design projects.
HYPERION
Multi-layer, Modular Synth
Hyperion synth has been designedfrom the outset with sonic flexibility in mind whilst keeping modular patchingapproachable and easy to follow. Efficient processing enables up to 10 layersof complex sound patches providing An unlimited sound design playgroundinspired by 80’s legends such as Vangelis, Jean-Michel Jarre and Brian Eno.Hyperion is a contemporary digital modular masterpiece.
SPACECRAFT
Deep granular synthesis
SpaceCraft is one of the mostcreative and inspiring granular synths ever made. Based on the hugely populariOS app it’s well known for providing instant gratification and stunning,unique sounds. Two parallel granular engines provide grain frequency/lengthcontrol, sample position LFO, stereo reverb/filter and pitch/ring-modulation.The innovative grain pitch sequencer, MIDI / MPE and live sampling capabilityopen up further depths of performance and expression.
RETROMOD INSTRUMENTS
Classic Hardware Synths
The RetroMod series of instrumentsputs the worlds most revered hardware synthesisers at your fingertips. And asthe name suggests, this is more than just a collection of sample-basedimitations – the goal of this series is to capture the soul of classic hardwaresynthesizers and push them in new directions, creating sounds simplyunachievable from the source hardware.
DAW ESSENTIALS COLLECTION
16 inspiring, contemporary DSPeffects
A collection of 16 contemporary FXplugins for use with any DAW. Utilizing the very latest algorithms and codingtechniques, the plugins feature extraordinary sound quality in an extremelyefficient package, allowing the plugins to be used liberally across a widerange of native computer systems. Empower your creativity with the DAWEssentials Collection.
Technical Specifications
FRONT PANEL
Instrument Inputs
2 x 6.3mm mono jack sockets,auto-select to analogue inputs 1 & 2 when plugged
Headphone Outputs
2 x 6.3mm stereo TRS Jacks, eachwith illuminated volume control
Master volume
Assignable encoder / push switchwith halo indication
Standby button
with standby indicator (alsoflashes when unit is in ‘identify’ mode)
Level Meters
10 x multi-segment bargraphs withoverload indication, 8 for analogue, 2 for digital, assignable to inputs oroutputs
Input selection
Indicate mode of analogue inputs1-4 as Mic / line / inst & plus phantom power indicator for mic mode
Overkiller
For every analogue input, lit whenOverkiller limiters are acting
Digital Input
indicators for digital inputunlocked and SRC (sample-rate converter) selected
Digital Output
indicator for SRC (sample-rateconverter) selected
Sync
Master indicator, lit wheninterface is providing system sync
REAR PANEL
Mic / Line inputs 1-4
4 x combo connectors with XLRsockets for mic input and 6.3mm TRS jack sockets for line input (balanced orunbalanced)
Line inputs 5-8
4 x 6.3mm TRS jack sockets(balanced or unbalanced)
Line outputs 1-8
8 x 6.3mm TRS jack sockets(balanced or unbalanced)
Digital inputs
1 x RCA 1 x TOSLINK for S/PDIF orADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adaptersupplied)
Digital output
1 x RCA 1 x TOSLINK for S/PDIF orADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adaptersupplied)
Wordclock
2 x BNC sockets, output and input(75R)
USB port
1 x USB 2 port
Mains power
3-pin 6A IEC inlet
SOFTWARE SUPPORT
Mac OS Support
OS X 10.5 or later on Intel andApple M1 silicon
Windows OS Support
Windows Vista, 7 or 8, 32 or 64bit
Mac audio driver
Core Audio device
Windows audio driver
ASIO and WDM
Control Panel applet
Graphical user interface forcontrol of single or multiple Titan units under Mac OS X or Windows.
ANALOG LINE INPUTS
Configuration
Electronically balanced, withfully-balanced analogue signal path
Input Sensitivity
Switchable ‘+4dBu’ (0dBFS =+18dBu) or ‘-10dBV’ (0dBFS = +6dBu)
Input Impedance
14.5k OHM
Unbalanced Mode
Automatic
Total harmonic distortion
-117dB (0.00014%, -0.1dBFS)
THD+N
-111dB (0.00028%, -0.1dBFS)
Dynamic Range
116dB (-60dBFS)
Gain Accuracy
+/-0.05dB
LF roll-off
-0.05dB at 8Hz; -3dB at <1Hz
HF roll-off
fs = 44.1kHz: -0.05dB at 21.1kHz;-3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz;-3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz;-3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz;-3dB at 78kHz
CMRR
20Hz..20kHz:>70dB
Inter-channel cross-talk
1kHz: <140dB; 20Hz..20kHz:<-120dB
Inter-channel phase
10Hz..5kHz: +/-0.25°,
5kHz..20kHz: +/-1.0°,
20kHz..50kHz: +/-2.0°,
Overkiller
Progessive limiter, auto-aligning,selectable per channel
Impact Filter
High-pass filter, -3dB at 80Hz,40dB/decade (selectable for channels 1-4; whether in line, mic or instrumentmode)
RIAA de-emphasis filter
Response accuracy:
+/-0.22dB at fs=44.1kHz;
+/-0.14dB at fs=48kHz;
+/-0.015dB at other sample rates
M-S matrix
Allows direct connection ofmid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whetherin line or mic mode)
MICROPHONE PREAMPLIFIERS
Configuration
Electronically balanced, withfully balanced analogue signal path
Gain
10dB to 65dB in 1dB steps (0dBFS =-56dBu to -1dBu) plus switchable -20dB pad
Gain accuracy
+/-0.05dB
Input impedance
5.5k OHM
THD
+10dB gain: -116dB at -0.1dBFS(0.00016%)
+40dB gain: -110dB at -0.1dBFS(0.00032%)
THD+N
+10dB gain: -108dB at -0.1dBFS(0.00040%)
Equivalent input noise (EIN)
+30dB gain: -128.5dBu (0 OHMsource); -126.3dBu (150 OHM source)
+40dB gain: -130.9dBu (0 OHMsource); -127.6dBu (150 OHM source)
+50dB gain: -131.2dBu (0 OHMsource); -127.7dBu (150 OHM source)
+60dB gain: -131.4dBu (0 OHMsource); -127.8dBu (150 OHM source)
LF roll-off
-0.05dB at 20Hz, -3dB at 5Hz
HF roll-off
As per analogue line input data(dependent on fs)
CMRR
50Hz/60Hz:>110dB at all gains
1kHz:>100dB at all gains
20kHz:>90dB at all gains
Phantom power
+48V, switchable per channel
Pad
-20dB, switchable per channel
INSTRUMENT PREAMPLIFIERS
Configuration
Unbalanced, high impedance buffer
Gain
10dB to 65dB in 1dB steps, 18dBpad (0dBFS = -38dBu to 17dBu)
Gain accuracy
+/-0.05dB
Input impedance
1M OHM
ANALOG OUTPUTS
Configuration
Electronically balanced, withfully-balanced analogue signal path
Output amplitude
Switchable ‘+4dBu’ (0dBFS =+18dBu) or ‘-10dBV (0dBFS = +6dBu)
Output impedance
100 OHM balanced, 50 OHMunbalanced
Unbalanced mode
Automatic, with bootstrappinglevel compensation
Total harmonic distortion
-107dB (0.00045%, -1dBFS)
THD+N
-106dB (0.00050%, -0.1dBFS)
Dynamic range
115dB (-60dBFS)
Gain accuracy
+/-0.05dB
LF roll-off
-0.05dB at 8Hz, -3dB at <1Hz
HF roll-off
fs = 44.1kHz: -0.05dB at 21.4kHz;-3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.2kHz;-3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz;-3dB at 47.8kHz
fs = 192kHz: -0.05dB at 32.0kHz;-3dB at 76kHz
Output balance
>50dB
Inter-channel cross-talk
1kHz: <-135dB; 20Hz..20kHz:<-120dB
Inter-channel phase
10Hz..5kHz: +/-0.4°,
5kHz..20kHz: +/-0.25°,
20kHz..50kHz: +/-0.5°,
DIGITAL INPUTS
Formats supported
S/PDIF (RCA or TOSLINK), ADAT,ADAT S/MUX (TOSLINK)
Sample rates supported
S/PDIF (2 channel): 44.1, 48,88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and96kHz
Channel Status
ignored
Word-length
24 bit
AES3 operation
via S/PDIF RCA, using RCA-XLRadaptor (supplied)
Sample-rate converter (SRC)
Selectable at S/PDIF input;allowing input at any sample rate
Bit transparency
Maintained (allows recording ofDolby or DTS streams)
DIGITAL OUTPUTS
Formats supported
S/PDIF (RCA or TOSLINK), ADAT,ADAT S/MUX (TOSLINK)
Sample rates supported
S/PDIF (2 channel): 44.1, 48,88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and96kHz
Channel Status
Full implementation, Consumer(S/PDIF) or professional (AES3)
Word-length
24 bit, or reduction to 16 bitsusing flat TPDF dither or Prism Sound SNS (Super Noise Shaping – fouralternative shapes available)
AES3 operation
via S/PDIF RCA, using RCA-XLRadaptor (supplied)
Sample-rate converter (SRC)
Selectable at S/PDIF output;output rate can be referenced to Wordclock, DI or local clock at 44.1, 48,88.2, 96, 176.4 or 192kHz
Bit transparency
Maintained in 24 bit mode (allowsplayback of Dolby or DTS streams to external decoder)
SYNCHRONIZATION
System sample rates
44.1 / 48 / 88.2 / 96 / 176.4 /192kHz
Master
local, Wordclock, DI (S/PDIFinput) or ADAT
Slave
bus master (another interface orHost computer)
Local clock accuracy
+/-50ppm
Jitter rejection
>60dB / decade above 100Hz
Internal mixer delay
(total analogue in to out)
fs = 44.1kHz: 0.56ms;
fs = 48kHz: 0.52ms;
fs = 88.2kHz: 0.2ms;
fs = 96kHz: 0.18ms;
fs = 176.4kHz: 0.09ms;
fs = 192kHz: 0.08ms;
PHYSICAL
Form factor
1U 19inch rack mountable
(rubber feet and rack earssupplied)
Dimensions
Table top (inc feet):
W: 440mm D: 290mm H: 50mm
Rack-mount (inc ears):
W: 483mm D: 290mm H: 44.5mm
Power
90-250VAC, 50/60Hz
internal power supply
IEC 6A connector
Power consumption
35W
Fuse rating
0.5A(T), 20mm, ceramic
Weight
3.7kg
Operation ambient conditions
0 to 35°C, 85% maximum relativehumidity
Supplied Accessories
Printed manual x 1
Software CD x 1
IEC mains lead x 1
19” Rackmount ears x 2 (pair)
Allen key (for rack ears) x 1
USB lead x 1
USB B to USB C convertor x 1
XLR-F to RCA-M adaptor (S/PDIF/AES3)x 1
XLR-M to RCA-M adaptor (S/PDIF/AES3)x 1
